游園之所，煙火真味 I
Where the garden strolls, the true taste of fireworks.

山與海在此交匯——五湖四海的顧客們曾一次次被味道征服，曾經(jīng)門鋪的拙樸印跡，轉(zhuǎn)化為承載本地文化餐飲的精妙容器，迎來新生。

The mountains and the sea converge here—customers from all over the world have been repeatedly captivated by the flavors. The once humble traces of the storefront have transformed into exquisite vessels that carry the local culinary culture, embracing a new life.

宋代郭熙提出了山水畫的取景構(gòu)圖法 — 三遠(yuǎn)法，沿著這一線索將空間劃分為儀式、怡情、雅集，不僅可觀景，又能品味其中。紅楓的影子躍動在毛石之上，斑駁的墻色與不同的肌理交織在一起，通過多維的表達形式，喚起人與自然、生活與藝術(shù)之間的對話，營造出一個寧靜、自然、富有詩意的空間體驗，為賓客呈現(xiàn)一場多層次的美學(xué)盛宴。土、石、樹、水解構(gòu)了古樸的主色調(diào)，構(gòu)建了疏落的布局和溫潤的質(zhì)感。獨特的透光樹脂板與飛瀑主題的LED燈光相結(jié)合，再次塑造了現(xiàn)代空間的語言。

In the Song Dynasty, Guo Xi introduced the compositional method of landscape painting—the Three Perspectives. Following this thread, the space is divided into rituals, pleasures, and refined gatherings, allowing both the appreciation of the view and the savoring of the experience. Red maple leaves dance above the rough stones, with the weathered wall colors blending with various textures. This multi-dimensional expression evokes a dialogue between nature and humanity, life and art, creating a tranquil, natural, and poetic space. It offers guests a multi-layered aesthetic feast. Earth, stone, trees, and water deconstruct the ancient primary hues, while the layout, both open and sparse, along with a warm, tactile texture, fosters a sense of calm. The translucent resin panels, combined with the LED lights themed around cascading waterfalls, reconstruct the space using a modern design language.

水產(chǎn)城店采用仿古的門檐設(shè)計，山水畫中的廊亭結(jié)構(gòu)勾畫出新中式融合餐飲的風(fēng)貌。在這座傳統(tǒng)建筑中，仍能感受到與自然共生的理念，重新開啟了連接“食物”和“真實”的旅程。

The Seafood City location features antique-style eaves, and the pavilion structure inspired by landscape paintings outlines the new Chinese-style fusion dining concept. In this traditional architecture, the philosophy of coexistence with nature is still felt, reopening the journey that connects "food" with "reality."